Sonny Bravo, leader and sideman

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Sonny Bravo was one of the mainstays of Tito Puente’s ensembles for nearly twenty years.

This post appeared on the Afro Latin Jazz Alliance blog, in January, 2016.

Puente’s recordings such as Tito’s Idea, The Mambo King: His 100th Album or Mambo Birdland feature Bravo’s work, at the piano, on paper or both. But he also played, arranged and recorded for a who’s who in Afro-Caribbean music, a list that includes flutist José Fajardo and percussionists Willie Bobo and Mongo Santamaría, era-defining singers such as Vicentico Valdés, Miguelito Valdés, Celia Cruz and La Lupe and the great bands of Frank Grillo “Machito,” and Tito Rodríguez.

For the public at large, however, Bravo may well be just one more faceless musician.

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Joan Soriano and bachata’s sweet sorrow

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Singer and songwriter Joan Soriano seems to embody the very history of his music.

Like bachata, the guitar music from the Dominican Republic he so soulfully interprets and composes, Soriano comes from humble beginnings but has found his way around the world of popular music.

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Growing Up in Latin Dance Music and Jazz

It is rare, and ever increasingly so, that a musician would spend a lifetime in a band. But percussionist Johnny “Dandy” Rodríguez Jr. who was a teenager when he was allowed to sit in with the Tito Puente Orchestra and be an apprentice for a few months before earning a place in its rhythm section, was also there at the end, playing alongside Puente until his death, after a concert on May 31st, 2000.

“I went from being a kid, coming into the band as a 16 year old to being the man running the band at the end,” said Rodríguez, 70, in a conversation from his home in Las Vegas.

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