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Program Notes Carnegie Hall: Andalusian Voices: Tempo of Light

27 Tuesday Mar 2018

Posted by Fernando González in Home, In Other Words, On Music

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Andalusian Voices: Carmen Linares, Marina Heredia, and Arcángel

With
Miguel Ángel Cortés, Guitar
José Quevedo “Bolita,” Guitar
Paquito González, Percussion
Ana Morales, Dancer
Isidro Muñoz, Music Director

Stern Auditorium / Perelman Stage
Saturday, March 17 at 8 PM

Like the blues  (its counterpart in the United States) flamenco was born out of need, as an expression of a desperately poor underclass struggling for survival in a place not his own. It was music constructed from memories, but also bits and pieces borrowed from the new home. It was, like the blues, an elusive alchemy of pain into beauty. It spoke of loss and hard times but also hope. And much like the blues, flamenco told the stories of the people who created it.

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Brilliance And The Spirits at Global Cuba Fest

21 Wednesday Mar 2018

Posted by Fernando González in Home, Jazz, Latin Jazz, On Music

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Dafnis Prieto, drums, leading his Sextet at the Light Box, Miami, Friday
Photo by Elvis Suarez, Glassworks Multimedia/ Miami Light Project @ The Light Box

Drummer Dafnis Prieto and pianist Omar Sosa closed this year’s Global Cuba Fest at the Light Box in Wynwood, Miami, with shows on Friday and Saturday, respectively, that suggested a sort of musical yin and yang. For an annual festival that celebrates the music of Cuba and its diaspora, the weekend was a perfectly tuned statement — artistically ambitious, global in its vision and brilliantly executed.

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“Take Five ” — With A Pakistani Swing

28 Saturday Oct 2017

Posted by Fernando González in Home, Jazz, On Music

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The Sachal Ensemble performing at a jazz festival © Sachal Studios

Globalization has produced many stories —not all inspiring. But having a Pakistani ensemble become a worldwide sensation by playing Paul Desmond’s immortal “Take Five,” which pianist Dave Brubeck turned into a hit nearly 50 years ago, has to be one of the most delightful — and improbable.

The 10-piece Sachal Ensemble, a group from Lahore, Pakistan, became an unlikely global sensation when the video of their performance of “Take Five,” a peculiar, swinging blend of South Asian classical music and jazz, got a million hits on YouTube. In a letter quoted in a story in Esquire Middle East, Brubeck, who got to hear it before his passing in 2012, wrote to producer Izzat Majeed: “This is the most interesting and different recording of ‘Take Five’ that I’ve ever heard. … Listening to this exotic version brings back wonderful memories of Pakistan where my Quartet played in 1958. East is East, and West is West, but through music the twain meet. Congratulations!”

The album that followed it, Sachal Jazz: Interpretations of Jazz Standards & Bossa Nova, became a best seller that topped the iTunes jazz charts. That led to world tours, appearances at jazz festivals and a celebrated performance with Wynton Marsalis at Lincoln Center in 2013, captured in Song of Lahore, a from-Lahore-to-New York documentary film by two-time Academy Award-winning director Sharmeen Obaid-Chinoy and Andy Schocken.

The Sachal Ensemble is appearing at the Olympia Theater in downtown Miami, Saturday. The concert opens MDC Live’s 2017-2018 season under the banner “Ojala/ Inshallah: Wishes from the Muslim World. ”

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