Vicente Amigo at Carnegie Hall. Program Notes

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Program Notes for Vicente Amigo at Carnegie Hall

Friday, March 4, 2016 at 8 PM                                                                                                          Isaac Stern Auditorium / Ronald O. Perelman Stage

Vicente Amigo, guitar

Antonio “Añil” Fernández, Second Guitar
Francisco “Paquito” González, Cajón
Ewen Vernal, Bass
Rafael de Utrera, Vocals
With Special Guest Antonio Molina “Choro,” Dancer

 

For all the spectacle of drama and virtuosity in flamenco — the flashes of movement and color by the dancers; the dazzling runs and powerful strumming on the guitar — at the beginning was the word.

While much of flamenco’s history is in dispute – including the origins of the word flamenco – many flamencologists agree that el cante, the singing, is the quintessential component of flamenco. (Perhaps, but not necessarily always, accompanied by palmas, clapping, or the tapping of knuckles on a table.)
The role of the guitar evolved from modest accompaniment in the earlier part of the 19th century to solo instrument a century later.

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Farruquito, improvising flamenco back to the future

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Juan Manuel Fernández Montoya, “Farruquito,”

 

This story was posted on Artburst Miami, in March , 2016

Juan Manuel Fernández Montoya, known as “Farruquito,” was born into one of the grand families of flamenco. His father was the late cantaor Juan Fernández Flores, “El Moreno;” his mother, the dancer Rosario Montoya, “La Farruca;” and his grandfather the legendary Antonio Montoya Flores, “El Farruco,” the founder of a flamenco school of dancing. He will be one of the headliners of the Arsht Center’s extensive Flamenco Festival this Thursday.

Farruquito, who will be 34 in August, was just eight years old when he presented his first show at a Madrid theater. At 11, he was part of a video about singer Camarón de la Isla. The following year he joined his grandfather in Flamenco, a film by Carlos Saura. He was growing up on stage, literally and figuratively, but in 1997, El Farruco died — and his childhood abruptly ended.

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The Miami International Film Festival, Google and a spotlight on diversity

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Director Juana Macías (“Embarazados”) / Miami International Film Festival

 

This post was published on the Knight Foundation blog, in March, 2016

Technology has been an indispensable element in the birth and development of motion pictures. Facing similar challenges as industries, technology and film are once again joining forces to find a way forward.

One of the highlights of this year´s Miami Dade College’s Miami International Film Festival is the Google Seminar Series on Gender and Racial Gaps in Film and Tech. The discussions will take place at The Idea Center at Miami Dade College from March 5-8.

“There’s a lot of talk and concern about opportunities for women and minorities and anyone can recognize that, sometimes, unconscious, ingrained biases prevent some people from having an equal opportunity,” said Jaie Laplante, executive director and director of programming at the festival. “Everyone deserves a chance on their merits and we know, just on numbers alone, that is not happening. There is not really a fair opportunity for everyone.”

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