The Uses of Memory

Se gane o se pierda, hay que olvidar pronto“, afirma Pep Guardiola, entrenador del Barcelona.
Win or lose, you have to forget quickly,” says Pep Guardiola, coach of Barcelona.

A few years ago I had the privilege to spend an afternoon with Gil Evans, one of my idols, interviewing him for a profile for the Boston Globe Sunday Magazine. We were in his small studio in Manhattan, heating up water for a tea and I don’t remember quite how we got there but I asked him how do you live after walking in the moon, after Miles Ahead, or Porgy and Bess or Sketches of Spain.
An Evans, who had an exquisite timing for silence in parson as he had in his music, took his time, finished filing this one nail, looked up and gave me the slightest shrug. “I have a great memory: I forget a lot.”
And we fell silent again, waiting for the water to boil. Tea and a free lesson in zen. On the house.

Jazz With An Accent

Miami music BG — before Gloria.

DJ LeSpam, aka Andrew Yeomanson, led a fascinating listening session of Miami vinyl Wednesday August 10, at the Museum of Contemporary Art in North Miami. Not sure how many people outside Miami are aware that back in the 1970s, and before, well before there was a Gloria and Emilio Estefan or a Miami Sound Machine, there was a Henry Stone, TK Records, and a soulful Miami sound. Yeoman played some rare vinyl, both LPs and 45s, featuring music by artists such as Betty Wright, George McCrae, Timmy Thomas, and Clarence Reid, but also non TK artists such as The Spiritual Harmonizers and the, umm, idiosyncratic Lang Cook.
Stone, now in his 90s, once told me “TK was the Motown of the South. ” I was new in Miami and at first dismissed it as hype. Well, he wasn’t braggin’. As they say in baseball, you can look it up.
Or in this case, listen. For staters check djlespam.podomatic.com
And if you are, or plan to be, in the area, check the Museum of Contemporary Arts Series at http://mim.io/0b8d51

And here are some samples of DJLeSpam with his Spam AllStars live at home in Miami:

Latin Jazz, courted.

Maybe it was a slow news day. One can only read (or write) so much about the global economic catastrophe, Tea Partiers, or elections that only put different people to protect the same interests. Whatever the case may be, El País, Spain’s most important national newspaper, on Sunday run a piece headlined “El Jazz Latino en Pie de Guerra,” roughly, Latin Jazz on the warpath. (for your Spanish language reading pleasure: http://www.elpais.com/articulo/revista/agosto/jazz/latino/pie/guerra/elpten/20110807elpepirdv_8/Tes )
In it, critic Diego Manrique discusses the class action lawsuit brought by percussionist Bobby Sanabria, guitarist Ben Lapidus, pianist Mark Levine, and composer Eugene Marlow against the National Academy of Recording Arts and Sciences (NARAS) which awards the GRAMMYs, in response for the elimination of the Latin Jazz category. While not quoted in this story, Roger Maldonado, attorney for the plaintiffs, has told the Associated Press that “Not only does it devalues the category of music and the work these musicians do. It makes it much harder for them to gain recognition.”
At the very least, NARAS seems to have mismanaged both the process and the announcement of its decision. But making a Federal case out of it (literally) hardly seems the best way to address it. A thoughtful discussion is needed.
But in a perverse turn, both sides have succeeded in getting press for a music often overlooked.
I know that it’s not quite the point, but now that we got your attention, can we offer you some Latin Jazz?.
I’ll take a page of the shop owner standing on the sidewalk, passing off fliers and inviting people in to check the merchandise – we have Mario Bauzá!, Dizzy Gillespie!, Danilo Pérez!, Guillermo Klein!, Chano Domínguez!, Come and check us out!. Come in and hear! Chucho Valdés!, Jerry González!, Perico Sambeat!, Adrian Iaies!, Silvano Monasterios!, Edward Simon! … come and try us out!

August, 2011 Jazz With An Accent